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Jorge y Guillermo Badolato "Badolatomusic.com"
|Detalles del usuario|
|Perfil||Jorge y Guillermo Badolato|
Compositores / Sound designers
Linked-in bio: http://www.linkedin.com/in/guillermobadolato
May 12, 2009: Press Release Note: Jorge & Guillermo Badolato produce soundtrack for next-gen videogame Wheelman
Bandas Sonoras y SFX para
Film | TV | Publicidad | Videojuegos | New Media | Librerías sonido
Composición musical para TV, medios, arreglos y diseño de sonido para cualquier tipo de formato y estilo
musical. Muchos trabajos originales distribuidos mundialmente en videojuegos, películas, publicidad, TV,
broadcasting. Amplia lista de créditos internacionales y nacionales.
Miembros de Game Audio Network Guild desde 2004. www.audiogang.org
• Bandas Sonoras para Videojuegos: Xbox 360, PS3, Nintendo DS, PC y todas las plataformas modernas.
• Bandas sonoras para programación televisiva (Tele 5, Antena 3, Canal Plus, Cuatro, MTV Networks, Nickel
Odeon, FDF y Universal)
• Diseño de sonido para todos los medios, agencias de publicidad
• Bandas Sonoras para Film & Animation (music to picture, film scoring )
• Bandas Sonoras para TV & Advertising (spots, corporate image, documentary, audio logos... )
• Bandas Sonoras para Multimedia (cd-roms, internet audio... )
• Audio Direction & Supervisión y creación y secuenciación de ambientación musical para espacios
• Producción de discos para grupos y artistas.
|Experiencia||::: Por favor, visite www.badolatomusic.com para Audio Demos e información actualizada|
PRO ZOMBIE SOCCER (Soundtrack, Sound Design)
Planned release: March/April 2010
HOOP WORLD 2009 (Sound Design)
Virtual Toys / Streamline Studios
IMAGINE CHAMPION RIDER 2009 (Music, Sound Design)
Virtual Toys / Ubisoft
Rubén Gómez, exec. prod.
IMAGINE RESCUE VET 2009 (Music, Sound Design)
Virtual Toys / Ubisoft
Rubén Gómez, exec. prod.
Vin Diesel’s WHEELMAN
Midway Games / Tigon Studios / MTV Games / Ubisoft
Craig Beattie, audio dir.
THE SCOURGE PROJECT (Music, Sound Design) - In development
TERMINATOR (Music/Sound Design)
Big Head Games / Dark Horse Comics
Dave Vout, dir.
DOODLE HEX (Music, Sound Design)
Pinnacle Software / Tragnarion Studios
2008 Most Innovative Game, Asociación de Desarrolladores de Ocio Interactivo Digital
ASTROLOGY (Sound Design)
Shanblue Interactive / Koch Media / Deep Silver
Francisco Mollá, exec. prod.
Big Head Games
Dave Vout, dir.
8 Bit Games / Sony Computer Entertainment Europe
Dave Vout, dir.
LITTLE RED RIDING HOOD’S
ZOMBIE BBQ (Music, Sound Design)
Gammick Entertainment (Grupo Planeta) / Enjoy Up / Destineer
Ignacio Fernández, prod.
ANIMAL BOXING (Music, Sound Design)
Gammick Entertainment (Grupo Planeta) /
Gammick Studios / Destineer
José Íñiguez, prod.
FRITZ (Music, Sound Design)
Shanblue Interactive / Koch Media
Francesc Xavier Fradera, prod.
TV — TELEFILM / SERIES / DOCUMENTARIES
SANTA VS CLAUS (HD) Original Music, SFX
Fanciful Arts Animation
Christopher Doyle, dir./prod.
PIG NICK (Animation, Multiples)
Fanciful Arts Animation
Christopher Doyle, dir./prod.
LA NORIA (Theme, Multiples)
La Fábrica de la Tele / Telecinco Televisión
Alejandro Ojeda, Pedro Revaldería, dirs.
RADICAL CHANGE (aka CAMBIO RADICAL)
(Additional Music, Multiples)
Grupo Boomerang / Antena 3 Televisión
Tony Gratacós, dir.
AQUÍ HAY TOMATE (Additional Music)
Salta Producciones / Hormigas Blancas / Telecinco Televisión
Adrián Madrid, dir.
TRES DESEOS (Additional Music, Multiples)
Boomerang / Antena 3 Televisión
Tony Gratacós, dir.
TNT (Additional Music, Multiples)
La Fábrica de la Tele / Telecinco
Óscar Cornejo, Adrián Madrid, dirs.
HORMIGAS BLANCAS (Additional Music, Multiples)
LA CARA B (Additional Music, Multiples)
Alejandro Ojeda, dir.
TELEVISION — PROMOTION
Network image designs, various spots / backgrounds and music libraries for:
TELECINCO CUATRO ANTENA 3 RADIO TELEVISIÓN GALLEGA (RTVG)
MTV NETWORKS CANAL PLUS NICKELODEON
MOTION PICTURES - SHORTS
EL HOMBRE DE AL LADO
Escuela de Cinema y Audiovisual Comunidad de Madrid
Rosa Blas Traisac, dir.
CONTEMPORARY CLASSICAL COMPOSITIONS (Partial List)
Odisea — for String ensemble, recitator and soprano; 3 Movements
Va Cantando un Marinero — for Choir and symphonic orchestra; 4 Movements
El Patio Andaluz - Concerto for guitar and orchestra; 2 Movements
Habanera — for Symphonic orchestra
Spanish Waltz — for Symphonic orchestra
Songs After Texts of Spanish Poets — 12 songs for baritone and piano
Melody — for Oboe and piano; 3 Movements
Orfeo Visita a Caronte — for violin, cello and piano; 3 Movements
Eridamus — Electro-acoustic
Ganimedes 3:45 AM and Ganimedes 9:30 AM — Electro-acoustic; 2 Movements
Mosaico — Piano solo
Ylla — Piano solo
Albero — Piano solo
Canción de Cuna — Piano solo
Invenciones a Dos Voces — Piano solo
THEATRE AND LIVE PERFORMANCES
Dreams Palacio Del Hielo — Opening ceremony and individual performances; produced by Grupo Sono Multivisión
Orquesta “Odissea” (Radio Televisión Española, LA2TV) — Premiere of original compositions by string orchestra, soprano and reciter
Fitur and Simo — Various music tracks for these two Ferial Events, Madrid; directed and produced by José Antonio de la Bella of D.A.I.
Microsoft Millennium Event — Music and sfx for Hi-Watt Sound Videowall presentation; produced by Grupo Sono Multivisión
Santa Cecilia School of Music Symphonic Orchestra — Piano, Oboe
Santa Cecilia School of Music Baroque Ensemble — Basso continuo, Oboe
Rodolfo Halffter Baroque Ensemble — Basso continuo
Rodolfo Halffter Big-Band - Piano
Proyecto Ulises (NU, Conductor; Viaje a Lavinia, Piano, Oboe; and, Las Siete Llaves, Piano, Oboe)
Joaquín Gómez de Segura Website (JgomezdeSegura.com) - Music and voiceover recordings for legendary author of theatre works
Fuerzas Armadas Profesionales - Music and sfx for CD-Rom about the Spanish Army; produced by Diseño y Aplicaciones
Interactivas and the Spanish Army
Arqueomedia - Music, sfx and voice over recordings for multimedia instructional Arqueology CD-ROM; produced by Universidad
SEK and Consejería de Educación y Cultura; CD-Rom by Montse Serrano and Dennis Illionet
Fundación Confemetal - Music for corporate image videos, produced by Tramec Multimedia; Mar Aguilar, dir.
Comunidad de Madrid Video Presentation — Music and sfx for animation; produced by Genoma I. +D
Bar Jazz Volume: Blue Melodies Played In Bars Vol. II - Various artists
Authentic Spain Today Vol. II CD — produced by J & G Badolato; distributed by Sonoton Music and APM Music USA;
features The Budapest Film Orchestra, conducted by Gregor F. Narholz; recorded at studio 22, Budapest
Authentic Spain Today, Vol. I CD — Produced by J & G Badolato; distributed by Sonoton Music and APM Music USA
Romantic Flamenco Pop CD - Produced by J & G Badolato; distributed by John Cameron, British Audio Designs (USA)
Radical Techno Trance CD — Produced by J & G Badolato; distributed by John Cameron, British Audio Designs (USA)
Bar Jazz, Vol.2 CD (Blue Melodies Played In Bars)
Authentic Spain Today, Vol. II CD (Sonoton Music - APM Music), featuring recordings by The Budapest Film Orchestra
Authentic Spain Today, Vol. I CD (Sonoton Music - APM Music)
Romantic Flamenco Pop CD (British Audio - USA)
Radical Techno Trance CD (British Audio - USA)
Killer Sound Music Library (USA)
Sounds Dogs (USA)
Speak Easy Digital (Singapore)
Deep Gap Publishing (USA)
Radio Televisión Gallega (RTVG)
ADVERTISING AND MEDIA AGENCIES
Grupo Sono Multivisión
Sonodigi - (Madrid & Barcelona Studios)
Fitur - (Ferial Event - Madrid)
Comunidad de Madrid
Genoma I. + D.
Turrones El Lobo
J. Walter Thomson
Grupo Creativos de publicidad
Línea de Fuego - (Estudios Abaira)
Simo - (Ferial Event - Madrid)
Fuerzas Armadas Españolas
Planeta Del Hielo
D.A.I. - (Diseño y Aplicaciones Interactivas)
Shaun Himmerick - VIN DIESEL’S WHEELMAN Producer | Executive Producer and Interim Studio Head at MIDWAY NEWCASTLE
"BadolatoMusic was a pleasure to work with. They provided a great value for what we needed, and a very high quality of music. They were very easy to work with and adjusted to our requests. I would use them again in a heartbeat." | June 4, 2009
Craig Beattie - VIN DIESEL’S WHEELMAN Audio Director | MIDWAY NEWCASTLE
"Working with Badolatomusic was a complete joy. They delivered 50% of the in-game musical scores for Wheelman and most of the cutscene music. Their music fitted perfectly with the tense missions and atmosphere of the game. When things got tight and changes to cutscenes where needed they re-scored the music to fit, they delivered time and time again without one complaint. I highly recommend these guys as professional and accomplished musicians” | May 12, 2009
Mark T. Morrison - Business Development, UBISOFT USA. (Prev. VP, Licensing at MIDWAY GAMES, Content Manager ATARI)
"Badolato Music is a great resource for contemporary as well as Spanish music for video games and film. Their focus in interactive media has allowed them to create incredible score and radio style songs for AAA video games. Their styles blend Orchestral, Dance, Pop, and Spanish traditional music in a way that is extremely compelling and unique. Badolato's sound and quality stands above the predictable, expensive, and boring composers who claim most of the video game work these days. Badolato follow directions in detail and deliver on time. Finally, Badolato's creative approach is refreshing, fun, and edgy. I hope they make more music for the games that I play. Top qualities: Great Results, On Time, Creative” | February 20, 2009
Christopher Doyle - Producer & Director, FANCIFUL ARTS ANIMATION SL.
"Fanciful Arts Animation is an animation company dedicated to producing and providing services for hand drawn animation. It’s founding member Christopher Doyle has collaborated in direction, production and animation on almost 20 feature animated films over the past 25 years. Recently Fanciful Arts completed it’s first made for tv movie in which Badolato Music contributed by providing the music, sound effects and music and sound effects editing. Their contribution was fundamental to the production for many reasons.
The excellent score they provided for the pilot paved the way for distribution deals that sealed the financing of the project. During the production itself they created terrific melodies for songs as well as providing the soundtrack and as mentioned, participated creatively in the sound effects track. The end result is one of the film’s strengths and its success can greatly be attributed to the work of Jorge and Guillermo. | Top qualities: Great Results, High Integrity, Creative | May, 2009
Dave Vout - Co-owner and Director, BIG HEAD GAMES LTD.
"Both brothers have composed and produced tracks for our PS3 game Elefunk and our iPhone game International Snooker and in both cases produced tracks way above expectations, friendly, easy to get on with and high quality results.” Top qualities: Great Results, On Time, Creative | April 8, 2009
Rubén Gómez - Executive Producer, VIRTUAL TOYS [upcoming videogames for 2009]
"I was looking for a studio that would both create great songs and also respect some technical constraints we had on our new DS projects. I have to say that Badolato Music met all my expectations in these areas. They have a good technical knowledge and managed to develop their creativity the way players won’t notice musicians were given any technical limit to the sound creation. Working with them has been as smooth as it can be, requested changes were done quickly, compositions were always good and work was always delivered on time. Overall, Badolato is one of the best sound creation studios I’ve worked with in my 20 years in the business. I would recommend them anytime!" | April 28, 2009
Francesc Xavier Fradera - Producer at VIRTUAL TOYS
“I’ve personally met Badolato brothers in a cafeteria in Madrid. I needed to talk with them about the music for Fritz Chess DS videogame, which I was producing for GAMMICK ENTERTAINMENT S.L. on those days. The first impression I had was as if I was talking to friends of mine. They are a pleasant pair, really enthusiastic about their work of composing music for videogames. It surprised me how quick they could understand the kind of music I liked for the game, because in short time I received at work some samples they had composed. I heard the samples and really loved them, so I simple gave them green light to compose the rest of the music.
They are very creative, controlling very well different music styles and having the technical knowledge about how music is implemented on videogames (WAV, Midi…). Few months ago, I personally recommended them on VIRTUAL TOYS, the videogames company where I’m currently working. I’m really happy once again with the music they have composed for the game I’m currently working on. It’s just I simply will recommend again to anyone who want to work with competitive musicians." | Top qualities: Great Results, On Time, Creative | June 4, 2009
::: CRÍTICAS PRENSA:
"PRO ZOMBIE SOCCER" Pre-Release Reviews ~January/February, 2010
"The soundtrack to this game is killer. Driving drums, overdriven guitars, and intense string sounds deliver the perfect mood setting for destroying zombies." | NodPad |
"The music has the quality of a grade A zombie movie soundtrack." | Techno Brains |
"The game has a rockin’, heart-thumping soundtrack, complete with a sweet guitar riff (and slow motion) when you complete a level." | AppAddict |
"Ambient music sets the mood, and keeps your energy level high." | user comment: "...and that music in the trailer is really great too." | SlideToPlay |
"Aesthetics, music and gameplay are brilliant." | Feel The Bite |
"The music and graphics were excellent." | Blog.pixelfumes.com |
"The music has that rock flavour that gives emotion to the game, leaving no time to relax" | Topo Farmer |
"The background music is as beautiful as the graphics style" | Touch-Mania |
"Is that music from the game? F*cking awesome.?" (user comment) | Touch Arcade |
"Background music helps maintain the tension high" | Spazio Iphone |
"The graphics and music were superb" | Touch arcade hardcore forum user |
"Graphics and Artwork - Simply Mindblowing, Menu Design - Brilliant, Music - Amazing, Gameplay - Really fun" | Touch arcade hardcore forum user |
"VIN DIESEL’S WHEELMAN" - (Midway Games/ Tigon Studios/ Ubisoft / MTV Games):
"The music that accompanies the title is well up to par with the game. As it couldn’t be less, the musical panorama has been boosted to the maximum on the higher tense scenes, with frenetic and addictive melodies that will get the player on his nerves. " Vandal.net | April 4, 2009
"Sound: 8.5 | The soundtrack was awesome. There were a variety of different genres of music on the soundtrack, and it worked perfectly for the game. The soundtrack is packed full of a variety of different songs that will have you ready to steal cars or die trying." Game Zone | March 25, 2009
"The Good: Great cinematic chase music. Thankfully, the music fits perfectly, with a Spanish-influenced soundtrack for the game's many loading screens, and an orchestral score that adds to the urgency of the chases." Game Spot | March 26, 2009
"The music in Wheelman is also quite good, supplying a perfect mix of calm and heart-pounding tunes that fit the action on screen." Cheat Code Central | March, 2009
"The sound track consists of orchestral tense music and it really sets the mood of a fast paced action thriller." Escapist Magazine | March 21, 2009
"The game has wonderful music that crashes you into the car chases. It is intense and pounding and adds to the intensity and hype!" 360junkies.com | March 8, 2009
"What was impressive, when you could hear it, was the game's score. Instead of the usual sludge of generic licensed songs that plague open world games, Wheelman had an original soundtrack clearly inspired by the music of the actual classic car chase films, and it perfectly captured the way a good film uses music. Tracks were purely instrumental, monumental during major car chases and then light and airy during relaxed scenes. Moving toward enemies provoked tense music, while bursts of action called for suitable bursts of brass and heavy synth bass." The music did a lot to help imagine the finished product while playing the early version, and in the final game could prove to be a marvelous finishing touch." Worthplaying | April 23, 2008 | pre-release review
"LITTLE RED RIDING HOOD’S ZOMBIE BBQ"
"Sound: 8.8 - The music is pretty much perfect—each song is creepy, exciting, and memorable. Beyond that, expect to hear plenty of moans, gunshots, and Red’s adorable voice announcing what weapon you’ve just equipped."
"The music is just flat-out awesome—it reminds me of Zombies Ate My Neighbors, and totally lives up to the soundtrack of that classic shooter. The tunes manage to be creepy and rockin’ at the same time, and perfectly fit the mood of the game."
"The game’s real stand-out feature, is its audio. There’s not much voice work in the game, but the few bits here and there (like Red shouting “Zombie Barbecue!” at the title screen) are pretty cool." Gamezone - October 31, 2008
"I must say I was quite surprised by the sound in this game. The music is astonishingly catchy, while unobtrusive to the gameplay. Sound effects are pretty run of the mill and simple, while the voice acting… stereotypical is a rough word to use, so let’s say… thematic instead. Perky and/or butch voices with thick Japanese accents fill the game. “Shotu-gun!” and “Framethrower!” said with such enthusiasm and enjoyment seem to take away any offense to be had. Sound quality is solid, enjoyable, and amusing, all at once." Diehardgamefan | November 21, 2008
"The game has a great old school soundtrack to it." Reviewbuster | Oct.31, 2008
"Sound 8.5/10 - A great soundtrack is backed up by cool character music. Doodle Hex has a very bright and vibrant design as well as awesome character music that adds to the atmosphere."Myds | September 17, 2008
"The music is crystal clear and suits the atmosphere of the title." Zentendo | November 3, 2008
"Sound 8.0/10 | There's a surprising amount of good quality music samples, usually reflecting each fighter's place of origin" Ds.Ign | July 29, 2008
"The music is all very unique and very catchy" Zentendo | October 29, 2008
|Estudios||Para información completa, por favor lea nuestras credenciales (PDF):|